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	<id>https://wiki.extremist.software/index.php?action=history&amp;feed=atom&amp;title=Computer_music_techniques</id>
	<title>Computer music techniques - Revision history</title>
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	<updated>2026-04-04T09:59:59Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://wiki.extremist.software/index.php?title=Computer_music_techniques&amp;diff=59074&amp;oldid=prev</id>
		<title>SteeleNivenson: notes</title>
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		<updated>2017-06-15T22:38:18Z</updated>

		<summary type="html">&lt;p&gt;notes&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;Computer Music Tutorial References&lt;br /&gt;
&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
Harmonic Additive Synthesis&lt;br /&gt;
Fixed waveform additive using harmonics or partials&lt;br /&gt;
Time varying additive synthesis&lt;br /&gt;
Additive analysis/resynthesis. Use realtime input and a filter bank (FFT) to generate the analysis, then modify and resynthesize.&lt;br /&gt;
&lt;br /&gt;
Compositions&lt;br /&gt;
  Earth&amp;#039;s Magnetic Field, Charles Dodge. Driving functions from geomatric, stochastic and mathematic models. (1970)&lt;br /&gt;
  Stria, John Chowning. Additive synthesis of inharmonic spectra. (1977)&lt;br /&gt;
  Phrases (Formes language of Rodet and Cointe 1984)&lt;br /&gt;
  Tendency Masks (POD system of Truax 1977)&lt;br /&gt;
  Sound Objects (SSSP system of Buxton et al. 1978)&lt;br /&gt;
  Clouds (Roads 1978c, 1991)&lt;br /&gt;
  Inharmonique, Jean-Claude Risset (1970)&lt;br /&gt;
&lt;br /&gt;
Waves n&amp;#039;shit&lt;br /&gt;
  Multiple Wavetable Synthesis&lt;br /&gt;
&lt;br /&gt;
  Wave Terrain Synthesis&lt;br /&gt;
&lt;br /&gt;
  Granular Synthesis&lt;br /&gt;
&lt;br /&gt;
  Subtractive Synthesis&lt;br /&gt;
&lt;br /&gt;
  Subtractive analysis/synthesis&lt;br /&gt;
    Vocoder&lt;br /&gt;
&lt;br /&gt;
  Linear Predictive Coding&lt;br /&gt;
&lt;br /&gt;
Modulation Synthesis&lt;br /&gt;
  bipolar versus unipolar signals&lt;br /&gt;
  Ring Modulation&lt;br /&gt;
  Amplitude Modulation&lt;br /&gt;
  Frequency Modulation&lt;br /&gt;
  Multiple Carrier FM&lt;br /&gt;
  Multiple Modulator FM&lt;br /&gt;
  Feedback FM&lt;br /&gt;
  Phase Distortion&lt;br /&gt;
  Waveshaping&lt;br /&gt;
&lt;br /&gt;
Physical Modeling and Formant Synthesis&lt;br /&gt;
  Physical Modeling Synthesis&lt;br /&gt;
  Source and Parameter Analysis for Physical Modeling&lt;br /&gt;
  Karplus-Strong Synthesis&lt;br /&gt;
  Formant Synthesis (FOF and CHANT and VOSIM MOR transformations)&lt;br /&gt;
&lt;br /&gt;
Waveform Segment, Graphic and Stochastic Synthesis&lt;br /&gt;
  Waveform Segment Techniques&lt;br /&gt;
    Linear Interpolation&lt;br /&gt;
    GEN functions&lt;br /&gt;
    SAWDUST&lt;br /&gt;
    SSP&lt;br /&gt;
  Graphic Sound Synthesis&lt;br /&gt;
    UPIC&lt;br /&gt;
    Graphic Synthesis with MIDI?&lt;br /&gt;
  Noise Modulation&lt;br /&gt;
    Noise Modulated FM and AM&lt;br /&gt;
    Waveshaping with random functions&lt;br /&gt;
  Stochastic Waveform Synthesis&lt;br /&gt;
    Dymanic Stochastic Synthesis&lt;br /&gt;
    GENDY&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;/div&gt;</summary>
		<author><name>SteeleNivenson</name></author>
	</entry>
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